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Blackberrying

Nobody in the lane, and nothing, nothing but blackberries,
Blackberries on either side, though on the right mainly,
A blackberry alley, going down in hooks, and a sea
Somewhere at the end of it, heaving. Blackberries
Big as the ball of my thumb, and dumb as eyes
Ebon in the hedges, fat
With blue-red juices. These they squander on my fingers.
I had not asked for such a blood sisterhood; they must love me.
They accommodate themselves to my milkbottle, flattening their sides.

Overhead go the choughs in black, cacophonous flocks—
Bits of burnt paper wheeling in a blown sky.
Theirs is the only voice, protesting, protesting.
I do not think the sea will appear at all.
The high, green meadows are glowing, as if lit from within.
I come to one bush of berries so ripe it is a bush of flies,
Hanging their bluegreen bellies and their wing panes in a Chinese screen.
The honey-feast of the berries has stunned them; they believe in heaven.
One more hook, and the berries and bushes end.

The only thing to come now is the sea.
From between two hills a sudden wind funnels at me,
Slapping its phantom laundry in my face.
These hills are too green and sweet to have tasted salt.
I follow the sheep path between them. A last hook brings me
To the hills’ northern face, and the face is orange rock
That looks out on nothing, nothing but a great space
Of white and pewter lights, and a din like silversmiths
Beating and beating at an intractable metal.

Notes

Plath wanders down a narrow blackberry alley, where the silent pressure of ripening fruit presses in from every side like an unasked-for gift. It grounds August’s exploration of feast in an atmospheric, solitary stillness, showing how nature’s quiet generosity can feel both like a blessing and a sweet, inescapable trap. By tracing the quiet path toward an open sea that offers no echo, the poem reminds us that true indulgence doesn't ask for permission, and coming to the table requires us to step directly into the wild overflow. #poetry #august #sylviaplath #blackberry #life

About the author

Sylvia Plath

Sylvia Plath was an American poet and author. She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar (1963), a semi-autobiographical novel published one month before her suicide. The Collected Poems was published in 1981, which included previously unpublished works. For this collection Plath was awarded a Pulitzer Prize for Poetry in 1982, making her the fourth person to receive this honor posthumously.